Shes Gotta Have It

Product Description SHE'S GOTTA HAVE IT formally introduced the name Spike Lee to audiences all over the world. The film, an intelligent comedy shot in black-and-white with one sequence of color, places--for among the first time--a young, bright African-American woman in the cinematic spotlight. Nola Darling (Tracy Camila Johns) is an attractive young woman with a problem--three problems to be exact. She is simultaneously being wooed by three hopeful, but hopeless, male suitors: Jamie (Tommy Redmond Hicks), a sensitive type who wants to settle down with her; Greer (John Canada Terrell), a narcissistic model who sees her as his trophy; and Mars Blackmon (Lee himself), an aggressive and funny bike messenger who makes her laugh. Nola is attracted to the best in each of them, but is unable to make up her mind as to whom she likes best. She even entertains the notion that something may be wrong with her, thinking perhaps she's oversexed. When a visit to a therapist fails to clear her mind, Nola finally comes Amazon.com Spike Lee made a splash in the independent film world with his debut feature, an inventive low-budget romance with a strong-willed heroine. Nola Darling (Tracy Camilla Johns) can't decide among her three boyfriends: serious but sweet Jamie (Tommy Redmond Hicks), self-centered clotheshorse Greer (John Canada Terrell), and goofy, wisecracking bike messenger Mars Blackmon (Lee). Within this loose story line Lee launches into a character study of Darling and offers a slice of black urban life rarely seen on the screen. According to Lee's published diary, he interviewed dozens of women and gathered feedback on screenplay from female friends, and his efforts show. Nola is an unapologetic, sexually independent character who resists the efforts of the men in her life to change who she is to please them--the wonderful concluding twist thumbs its nose at romantic conventions and gives Nola her due. Lee combines direct address and documentary techniques with a simple, often elegant narrative style to create a multilayered portrait of Nola and her men and question perceptions and conventions of sex, sexuality, and relationships in the modern world. Though somewhat primitive in the light of his more accomplished works, this first feature introduces Lee as a fresh voice and a creative force to be reckoned with. -- Sean Axmaker Beyond She's Gotta Have It