King Kong -Collector's Edition-

Product Description DVD Features: Audio Commentary Documentaries Other Theatrical Trailer Amazon.com "Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man." Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T. rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the 20th century. Kong making his last stand atop the Empire State Building is one of the movies' most indelible and iconic images. --Donald Liebenson DVD features Not surprisingly, the eighth wonder of the world’s DVD treatment is nothing short of spectacular. The newly restored, digitally mastered print of the 1933 version of King Kong is sharp, well balanced, and given that this film is seventy years old, has very few scratches or blemishes. The restoration is nothing short of amazing. What may frustrate some is the audio. Though crystal clear, it is still in 2.0 Mono. The soundtrack on Kong is such an integral part of the film you really wished they could have pulled it out to at least 2.0 Surround; but this is a minor criticism. The bulk of the commentary track is by visual effects veterans Ray Harryhausen and Ken Ralston joyfully discussing the special effects of the film and discussing why King Kong is such a favorite and important film to the community of visual effects artists. Spliced betwee