Introduction to Gospel Fingerstyle Guitar

Product Description Gospel music is such a familiar part of our cultural and musical landscape. It offers the fingerstyle guitarist a vast repertoire of melodic and lyrical compositions. In this lesson, Duck Baker explores and explains how this music can be arranged for fingerstyle guitar. Duck teaches arrangements of six well known Gospel songs. These are played in standard and dropped-D tunings. If you feel comfortable playing an alternating bass in the style of Mississippi John Hurt or Elizabeth Cotten then you will find this lesson helpful in expanding this technique to Gospel music. Duck gives historical background on each tune as well as phrase by phrase explanations of the arrangements. Each tune is clearly illustrated in a split- screen section making it easy to see what the right and left hands are playing. A detailed tab/music booklet is included as a PDF file on the DVD. DVD is region 0, playable worldwide. About the Actor Duck Baker was born Richard R. Baker IV in Washington, DC in 1949 and grew up in Richmond, Virginia. His teenage years were devoted to playing the rock and blues bands before becoming interested in fingerpicking in local coffeehouses. Ragtime pianist Buck Evans was a major influence on Baker's developing interests, which by the time he moved to San Francisco in 1973 included rags, blues, old-time country, Cajun, bluegrass and New Orleans jazz. This variety inspired the title of his first solo record, "There's Something for Everyone in America," in 1976. During the next four years, Baker recorded four more solo records, including one devoted to swing, one to modern jazz and one to Irish and Scottish tunes, and appeared on nine others. He also wrote a book of fiddle tune arrangements and toured incessantly throughout America, Canada, Europe and Australia. He changed address almost as constantly, finally winding up in Europe for most of the '80s. He returned to San Francisco in 1987 and finally to Virginia in 1991. Most of his more recent solo recordings have featured his own compositions, an aspect of his work that has drawn particular praise from other guitarists. If Baker's insistence on studying and performing so many facets of folk and related music, from medieval European carols to avant-garde jazz, have made him somewhat difficult for the press to categorize, he certainly has earned the respect of his peers. A check li