For The Demented (jewel case)

Annihilator’s brand-new album “For The demented” promises to pack a premier punch. Thrash/Heavy Metal Legends to release 16th studio album on November 3rd, 2017 Since 1989, Canada’s ANNIHILATOR have not stopped putting out records and touring the world. Despite the ever-changing climate of the Metal World (and releasing a series of “different” Metal records with various lineups along the way), Jeff Waters and company have consistently delivered strong albums since the band’s debut “Alice In Hell”. Then there was 1990’s best-selling “Never, Neverland”, 1995’s “King of The Kill”, “Schizo Deluxe” in 2005 and many other critically-acclaimed releases up until 2015’s “Suicide Society.” The ‘under-the-radar’ influence of this band and writer/guitarist/vocalist Jeff Waters, has been felt throughout the entire realm of the metal world by a ton of well-known musicians and bands; that influence even stretching into the hard rock and instrumentalist genre. ANNIHILATOR’s main man Jeff Waters, in his usual humble manner, offers this in response: “ANNIHILATOR’s music has been influenced by a good hundred of my favorite bands and musicians; you can hear their contributions to what I have been doing all throughout ANNIHILATOR’s catalogue. It’s a bonus and an honor when bands and musicians I love mention that I had something to do with their playing or songs!” Which all leads to the fact that ANNIHILATOR’S 16th studio release, “For The Demented”, is certainly their most complete and definitive statement yet. “It was time to analyze what a lot of fans over the years have kept telling me,” says Waters. “It was time to sit down and figure out “why” ANNIHILATOR’s early “thrash-meets-melodic” caught the ears of so many AND to try to sweep the “fan” part of my writing/playing/singing out the door and welcome back the mostly-original Waters writing that was to be the first four ANNIHILATOR albums.” Waters didn’t venture back alone, while looking back through ANNIHILATOR’S history. “I was well aware that trying to re-capture the past usually fails, or at least won’t come close. So, I decided to bring in fresh ears, both musically and physically with Rich Hinks, my bassist for the last few years. And doing most all of the records by myself, including writing and playing most all on my own, as well as mixing, mastering, engineering, etc…, well it can become routine and can often hinder you from being objective and more creative. Rich came in and co-wrote the music with me, as well as