Under the Covers Vol_ 1

Product Description What do alt-rock/power pop heroes like Susanna Hoffs ( The Bangles) and Mattew Sweet do on their time off? They get together in Mattew's comfy home studio and record a stunning album of their fovorite '60s pop hits ans rarities,of course! Columbia. 2006. Amazon.com Sid (Matthew Sweet, after his character's name in the Austin Powers band Ming Tea) and Susie (Susanna Hoffs, who joined him and Mike Myers in belting out "BBC" on the soundtrack) are in as fine voice as ever on Under the Covers, Vol. 1, a 15-song collection of tunes first made famous by the likes of the Beatles, the Beach Boys, the Mamas and the Papas, and the Who. And man, were they born to sing this stuff. Both the Bangles and Sweet discographies are derivative--in the best possible sense--of late-'60s pop-rock, and who didn't love the Merry-Go-Round, Grass Roots, Simon & Garfunkel, and Big Star covers Hoffs and company scattered among their originals? Recorded at Sweet's home studio in the Hollywood Hills, the album opens strong with "I See the Rain," a Marmalade song from 1967 that Jimi Hendrix called the year's best British single but was a hit only in the Netherlands. Maybe Sweet's stinging, ringing fretwork (he plays most of the non-percussion instruments on this disc) and Hoffs's throwback vocals will rectify that, nearly 40 years later. The two proceed to nail the Beatles' "And Your Bird Can Sing," one of the high points on Revolver, and score similarly with Fairport Convention's "Who Knows Where the Time Goes?" (Hoffs in full ballad mode), the Stone Poneys' "Different Drum," the Who's "The Kids Are Alright," Love's "Alone Again Or," and a pair of Neil Young numbers, "Cinnamon Girl" and "Everybody Knows This Is Nowhere." Some of the selections do miss the mark--Hoffs's smoky-sweet backing vocals seem a little misplaced on Dylan's "It's All Over Now, Baby Blue," and "The Warmth of the Sun" was probably the wrong Beach Boys track for Sweet to attempt (Brian Wilson himself strains at those high notes nowadays). But by and large this is a delightful power-pop excursion. Van Dyke Parks's liner notes, keyboards, and string arrangements make it that much better, as do Sweet collaborator Ric Menck's drums, Ed Fotheringham's illustrations, and Henry Diltz's photographs (Hoffs looks as stunning today as she did when laying down All Over the Place). --Benjamin Lukoff More Sid & Susie Review An album busting with good vibes and gorgeous tunes. -- RollingStone.com,Mar