The Last House on the Left Unrated Theatrical Versions

Product Description Renowned horror director Wes Craven returns to the scene of the most notorious thrillers of all time in this darkly disturbing reimagining of The Last House on the Left. After kidnapping and ruthlessly assaulting two teen girls, a sadistic killer and his gang unknowingly find shelter from a storm at the home of one of the victim's parents-- two ordinary people who will go to increasingly gruesome extremes to get revenge. Loaded with shocking twists guaranteed to leave you on edge, it's the ominous film critics call, "One of the best horror remakes ever made" (Scott Weinberg, Fearnet.com). Amazon.com A hot-button topic in the horror community from the minute it was announced, the 2009 remake of Wes Craven and Sean Cunningham’s controversial Last House on the Left will undoubtedly leave audiences polarized in regard to both its treatment of the source material and its level of violence. As with the original film, which drew inspiration from Ingmar Bergman’s The Virgin Spring (and was itself based on 13th century Scandinavian legend), director Dennis Illadis’ film traces the downward spiral of two teenage girls (Sara Paxton and Martha MacIsaac from Superbad) who fall prey to a quartet of degenerates. The perpetrators then seek refuge in a nearby vacation home--which happens to be occupied by Paxton’s parents. Both versions spare no quarter in detailing the torments inflicted on the two girls, as well as the ruthlessly efficient revenge metered out to the killers by the parents; the difference, however, lies with the intent. Craven and Cunningham (who serve as executive producers for the remake) sought to shock Nixon/Vietnam-era audiences by showing the limits to which the "average" citizen could be pushed by violent acts; Illadis, however, is simply content to deliver a glossy, overamped thriller that neither delights in nor condemns the atrocities committed by its characters. The result is a flat, often tedious exercise in nihilism buoyed only by its cast, especially Paxton, Tony Goldwyn and Monica Potter as her parents, and Garrett Dillahunt ( No Country for Old Men) as the malevolent leader of the depraved foursome. Fans of the original need not bother with this version; newcomers should seek out Craven’s version, which has lost none of its power to overwhelm. --Paul Gaita Amazon.com The legendarily scuzzy 1972 shocker Last House on the Left gets all dressed up in this slick remake, which retro-fits the original storyline to an is