TCM Spotlight: Errol Flynn Adventures (Desperate Journey / Edge of Darkness 1943 / Northern Pursuit / Uncertain Glory / Objective Burma)

Amazon.com Unlike so many boxed-set tributes to actors, this one's actually got a tight, logical theme: Errol Flynn Adventures offers five World War II pictures made at Warner Bros. during Flynn's reign as a top leading man. Four of the films were directed by one of Flynn's favored collaborators, the robust Raoul Walsh, and all of them have an urgent wartime commitment that puts them in a zone between entertainment and propaganda. That zone is a compelling place, and often emotionally potent. The earliest (1942) of the films is also the lightest in tone: Walsh's Desperate Journey has a joshing attitude that belies its title. Flynn plays the Aussie leader of a multinational bomber crew that crash-lands in Germany (where the Germans actually speak German) and must make its way across hostile territory to safety--a suspenseful setup that allows for some derring-do and wisecracking on the trip (although Flynn and Walsh are adept at shifting gears from comedy to heroism at a moment's notice). Ronald Reagan plays a flippant US flyboy and enjoys one of his best moments on screen with an engaging scene of double talk. Edge of Darkness, directed by Lewis Milestone, is an extraordinarily powerful 1943 film about a defiant band of resisters in a small seaside town in Nazi-occupied Norway. Serious and stirring, with messages aplenty about the importance of solidarity and sacrifice during wartime, the movie goes all the way and then some. Flynn tamps down his usual jocularity, folding himself into a remarkable ensemble (we're talking at least a dozen significant roles here) that includes Walter Huston, Ann Sheridan, Judith Anderson, and Ruth Gordon. By comparison, Northern Pursuit is tame, with Flynn in snowy Canada, escorting a Nazi (Helmut Dantine) to custody… or is he? The question mark is about the only interesting wrinkle in this far-fetched picture, although Flynn doesn't embarrass himself. Ah, but our man slips into fine form in 1944's Uncertain Glory, a crackerjack premise that allows Flynn to exude his more roguish charms. His character is a convicted killer scheduled for the guillotine, and he and his guardian (Paul Lukas) contemplate the possibility of the doomed man falsely turning himself in as a wanted saboteur; the Nazis are holding 100 locals hostage to slaughter if the real saboteur doesn't turn himself in, and after all, wouldn't a Nazi firing squad be preferable to the guillotine? Much larger in scope, and a demonstration of Walsh's talent for dynam