Quantum Leap: Season 1

Product Description Get ready to join Dr. Sam Beckett on the adventure of many lifetimes! Who will he be this time? Mafia hit man. Air Force test pilot. Professional boxer. Sam does it all in Season One of the groundbreaking, 5-time Emmy award-winning series.Scott Bakula plays Sam Beckett, a time traveler who never knows whose body he is going to "leap" into next and at what moment in history he may find himself. Sam is joined by a helpful but easily distracted holographic guide, Al (Dean Stockwell) who assists him on his missions and aids Sam in his ultimate goal of returning to his own life in the present. Bonus Content: Disc 1 - Quantum Leap The Complete First Season: A Kiss with History Quantum Knowledge Disc 2 - Quantum Leap The Complete First Season: Quantum Knowledge Disc 3 - Quantum Leap The Complete First Season: Quantum Knowledge Amazon.com They'll be dancing (well, leaping maybe) in the streets now that the first season of Quantum Leap, voted one of the 25 best cult series ever by TV Guide, has come to home video, a decade after its final year (1994) on the air (the pilot episode was released on DVD in '98). And why shouldn't they? This is a show, called "an imaginative diversion" by one critic, with a good premise that's cleverly and skillfully conceived, written, acted, and produced--ample evidence of which is spread out over three discs, each containing three episodes (plus some fairly meager extras) from the first season. Scott Bakula, in the role that made him a star, plays Sam Beckett, a scientist who's part of a time-travel experiment that "went a little... ka-ka." Unable to return to his own time, and aided only by Al (Dean Stockwell, whose rapport with Bakula is one of the series' most appealing elements), his cigar-smoking, peculiar-dressing, sex-obsessed, holographic "enabler," Sam "leaps" unpredictably from one time period and person to another, usually completely out of his element (as a pilot, a boxer, a cowboy, an English lit professor, even an elderly black man in segregated '50s Alabama) and always in a situation that needs to be "made right" before he can leap onward. Generous helpings of humor, drama, physical action, and sentimentality (this is TV, after all) keep things moving, as do references to many other classic films and genres (Driving Miss Daisy in "The Color of Truth," Casablanca in "Play it Again, Seymour," boxing in general in "The Right Hand of God") and what creator Donald Bellisario calls the occasional "k