Oklahoma! 50th Anniversary Edition

Product Description Set in the Oklahoma Territory in the early 1900's, this joyous celebration of frontier life is a story of tender romance and dangerous passion. Gordon MacRae is Curly, a sunny, good-natured ranch hand, and Shirley Jones is Laurey Williams, the farmer's daughter he loves. Rod Steiger is he menacing Jud, who tries to comes between them. The first Rodgers and Hammerstein collaboration, this Academy Award winner for Best Score features the classic songs "Oh, What a Beautiful Mornin'," "The Surrey With The Fringe On Top" and "People Will Say We're In Love." Additional Features The 2005 two-disc edition of Oklahoma! is a clear winner over the original DVD. In addition to the bevy of bonus features, it offers two different versions of the film, both of which are anamorphically enhanced for widescreen TVs. Disc 1 includes the CinemaScope version of the film. The second disc examines an interesting slice of film history: the background of "Todd-AO," the widescreen format that debuted with Oklahoma! and was intended to compete with established widescreen formats such as CinemaScope. There's a 12-minute featurette on the difference between the two formats, as well as two short features ("The Miracle of Todd-AO," 12 minutes, and "The March of Todd-AO," 17 minutes) that were created to show off the format through such gimmicks as first-person roller-coaster rides--precursors to modern IMAX films. Also on the second disc is the complete film as it was shot in Todd-AO. You'll quickly notice the difference between aspect ratios (2.55 to 2.20 for the taller Todd-AO), and that the Todd-AO version includes the overture and entr'acte and a different opening-credit sequence. (The original DVD release was the Todd-AO version.) And because the film had to be shot twice to accommodate the two formats, there are some subtle variations in actor performance, camera angles, etc. So of the two versions of the film here, which is better to watch? One would expect it to be the Todd-AO version, which was shot in 70 mm instead of 35 mm, and at 30 frames per second rather than 24 for a smoother picture. Unfortunately, that's not the case. The Todd-AO version looks fuzzy and washed out and is clearly inferior to the DVD's CinemaScope transfer. Other bonus features include a commentary track by Oscar Hammerstein biographer Hugh Fordin and Rodgers and Hammerstein Orga