Nuages Du Monde

Product Description Lush electronic soundscaping with soaring, ethereal female vocals, emotive beats and colourful world elements. Delerium's unique style blossoms once again here in full opulent glory - the undulating synth arrangements, multi-layered and constantly varying are at their richest; strings, pianos and all manner of the global waves and samples fill the air with an exotic scent, the percussive structures inhabit that twilight space somewhere between live and digital, organic ethnic loops deftly entwined. Deep flutes and eastern wires frequently thicken the atmosphere and spacious interludes allow the synths room to evolve and shine - cycling, morphing arpeggios, doleful drones, beautiful shifting melodies. Many of the songs are wordless or sultry, moody affairs that work in smooth conjunction with the sumptuous programming, quirky, catchy themes that hit angelic highs and wistful lows brimming with emotion Amazon.com There aren't a lot of musicians who actually start a trend, but as Delerium, Rhys Fulber and Bill Leeb can take credit for the ethereal-girl genre of dream-pop electronica. From early releases like Karma, which included singer Sarah McLachlan, they've specialized in a mixture of lush, almost romantic electronica coupled with female singers that tend toward the ecstatic. Their latest album, Nuages du Monde, is no exception. Fulber and Leeb bring in a host of singers, from the operatic soprano Isabel Bayrakdarian to Punjabi Bollywood singer Kiran Ahluwalia. Also on board are old favorites the Mediæval Bæbes, whose "Blow Northern Wind" is sampled and adapted with new vocals on "Extoller." Kristy Thrisk, who goes back to the earliest vocal works of Delerium on Semantic Spaces, returns, joined by Kirsty Hawkshaw--a singer who's already been a favorite foil for artists like BT, Orbital, and DJ Tiësto. Along with Jael's "Lost and Found," Hawkshaw's "Fleeting Instant" is among the most likely pop singles from the disc. Like their previous album, Chimera, Nuages du Monde ("Clouds of the World") flirts dangerously with soporifically shlocky arrangements, but they've pulled back considerably, thickening the beats and trading synth strings for real on many tracks. The tribal "Sister Sojourn Ghost," the Bæbes' second appearance on the disc, is one of the few tracks that play with the formula, as an uncharacteristically primal chant from t