Next to Last Joan Rivers Album

Product Description Through the crackle and pop of vinyl, the voice is strong and clear. It is young, but unmistakable: Joan Rivers. That voice—and the truths it speaks—are timeless. And the truth is always a little shocking. On “The Next to Last Joan Rivers Album,” Rivers proves that before there were arguments over whether women were funny, she made it clear that women’s lives were funny. Unapologetically, Rivers owned her own experiences as great material. She didn’t have to pick on audience members to get a gasp or gross them out by saying things they didn’t expect from a woman; instead, Rivers delivers a tight set packed full of real life. Within minutes, the listener can actually hear the audience melt into her hands. The women laugh with true freedom: Rivers is saying what they haven’t been able to say, giggling along with her about the absurdities of juggling roles and living up to the expectations of their mothers, their husbands, and their peers. And the men guffaw at this brassy, whip-smart Jewish dame pulling back the curtain. Together, they’re swept up, liberated by a woman saying the truth and everyone finding it funny. Rivers, who clearly considers her audience is as smart as she is, dropping clever asides and subversively referring to her set as “the rally,” leaves the stage as she left the world: to shouts of “Brava!” Review Joan Rivers had a long and prolific career, and some of her albums are harder to find than others. But in the case of The Next to Last Joan Rivers Album, that's a tragedy, which is why it's so great the long out-of-print album is getting a proper re-release from Stand Up! Records... The Next to Last Joan Rivers Album has been out of print for over 45 years: It's culled from a set Rivers did at Upstairs at the Downstairs in NYC in June 1968, and has been remixed and remastered for the occasion. It also comes with a new essay by Sarah Silverman and new liner notes by comedy historian Kliph Nesteroff, a portion of which we've excerpted below to give some context to the album. "At the time [of the album's release] there were probably no more than five women doing stand-up professionally, and one of them, Totie Fields, didn't take too kindly to seeing Joan Rivers on the [album] charts. Fields went out of her way to keep Rivers from working. A regular in Las Vegas and The Mike Davis Show, Fields carried on a whisper c