Mae West - The Glamour Collection -Go West Young Man/ Goin' To Town/ I'm No Angel/ My Little Chickadee/ Night After Night-

Product Description Smart, seductive and undeniably funny, Mae West is one of cinema's most enduring comedy legends. Now this larger-than-life buxom beauty charms fans all over again in an amazing 5-movie collection of some of her most wildly popular films. Revel in Mae's breakout performance in Night After Night; join her as a bewitching lion (and man) tamer in I'm No Angel; lasso up some fun with the wealthy and the wicked in the rags-to-riches tale of Goin' to Town; delight in a comic country romance in Go West Young Man; and see how wild the West can really get in My Little Chickadee. It's a must-own salute to one of Hollywood's most outrageous and hilarious leading ladies. Bonus Content: Disc 1 - Night After Night: Theatrical Trailer Disc 1 - I'm No Angel: Theatrical Trailer Disc 2 - My Little Chickadee: Theatrical Trailer Amazon.com The triumph of personality is beautifully demonstrated in Mae West: The Glamour Collection, a bundle of five comedies featuring the never duplicated (if often imitated) Ms. West. Never altering her insouciant, sexed-up persona, Mae West sashays through these films like a tour guide in a well-lit bordello, cheerfully cracking herself up with a series of perfectly-timed one-liners. Since she wrote her own material, there was no separation between the lady (what a feeble word) and her scandalous dialogue. If you doubt this, check out Night After Night, her film debut. The first half of the picture is an unremarkable gangster comedy: George Raft in his usual inert form, Constance Cummings the good girl, capable comic support from Roscoe Karns and Alison Skipworth. Then West blowses in, and it's all over. Within a minute she's tossed off an eternal signature line (hatcheck girl: "Goodness, what beautiful diamonds." West: "Goodness had nothin' to do with it, dearie") and disrupted the high-class aims of gangster Raft. The other actors look agog at this unapologetic force of libido. Watching this, you might recall the first time you ever saw Groucho Marx or Bill Murray on film--the movie itself disappears, replaced by gratitude that someone like this exists. I'm No Angel followed her first starring vehicle (She Done Him Wrong, not included here), and its lunatic plot--Mae as a lion tamer taken up by New York society--does nothing to slow the barrage of sexual innuendo. West hums her way through the film with t