Inside Llewyn Davis -The Criterion Collection- -Blu-ray-

The visionary chroniclers of eccentric Americana Joel and Ethan Coen (Fargo) present one of their greatest creations in Llewyn Davis, a singer barely eking out a living on the peripheries of the flourishing Greenwich Village folk scene of the early sixties. As embodied by Oscar Isaac (Ex Machina), in a revelatory performance, Llewyn (loosely modeled on off-the-radar folk legend Dave Van Ronk) is extraordinarily talented but also irascible, rude, and self-defeating. Our man s circular odyssey through an unforgiving wintry cityscape, evocatively captured by cinematographer Bruno Delbonnel (Amélie), is realized with poignant humor and the occasional surreal touch. Featuring a folk soundtrack curated by T Bone Burnett, Inside Llewyn Davis reminds us that in the Coens world, history isn t necessarily written by the winners. DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES  - New 4K digital transfer, with 5.1 surround DTS-HD Master Audio soundtrack - New audio commentary featuring writers Robert Christgau, David Hajdu, and Sean Wilentz - The First Hundred Feet, the Last Hundred Feet, a new conversation between filmmaker Guillermo del Toro and directors Joel and Ethan Coen about the evolution of their approach, from Blood Simple to Inside Llewyn Davis  - Inside Inside Llewyn Davis,  a forty-five-minute 2013 documentary - Another Place, Another Time (2014), a 101-minute film documenting an Inside Llewyn Davis tribute concert, featuring Joan Baez, Mumford & Sons, Punch Brothers, Gillian Welch, Jack White, and others - New piece on the history of Fare Thee Well (Dink s Song), featuring music producer T Bone Burnett and the Coens - New piece about Dave Van Ronk and the Greenwich Village folk scene of the early sixties, featuring music writer and historian Elijah Wald - Sunday, a short 1961 documentary by Dan Drasin about the riots that took place in Washington Square Park after folk musicians were prevented from gathering and playing there - Trailers - PLUS: An essay by film critic Kent Jones