George Gershwin - Porgy and Bess / Trevor Nunn · Sir Simon Rattle · W. White · C. Haymon · Glyndebourne Opera

Product Description The Gershwins' musical masterpiece Porgy and Bess is one of America's greatest works. This production was adapted for the screen by Trevor Nunn and Yves Baigneres. It was directed by Trevor Nunn and is based on the highly successful staging of the original Glyndebourne Festival Opera production in 1986-87, which was remounted at Covent Garden in the autumn of 1992 with most of the original cast. Immediately after that performance the production was moved to the giant stage at Shepperton Studios, with much expanded sets and lighting. It was then recorded using EMI's original award-winning soundtrack. First performed in 1935 and based on the play Porgy by DuBose and Dorothy K. Heyward, Porgy and Bess has achieved worldwide renown through such memorable songs as "Summertime," "It Ain't Necessarily So," "I Got Plenty o' Nuttin'," "Oh Lawd, I'm on My Way," and many more, set to Gershwin's moving symphonic score. 184 minutes. Porgy: Willard White Bess: Cynthia Haymon Crown: Gregg Baker Serena: Cynthia Clarey Maria: Mariette Simpson Sporting Life: Damon Evans Clara: Paula Ingram (sung by Harolyn Blackwell) Jake: Gordon Hawkins (sung by Bruce Hubbard) Mingo: Barrington Coleman Robbins: D. Alonzo Washington (sung by Johnny Worthy) Amazon.com This powerful production originated on the stage of the Glyndebourne Festival. It was restaged and filmed on location for the BBC telecast preserved in this video recording. Director Trevor Nunn takes full advantage of the realism, fluidity of movement, and precision of small details that are difficult to achieve when televising a staged performance but easy and natural in a movie treatment. Nunn's vision, conveyed by an unusually talented cast, is constantly touching and rises to overwhelming intensity at climactic points. For example: the crap game and fight that end in Robbins's death, the hurricane scene, Crown's capture and abuse of Bess on Kittiwah Island, Porgy's fight with Crown, the comically sinister antics of Sportin' Life, the double-edged pathos and absurdity of the scene in which Bess gets "divorced," and the electrifying conclusion, when Porgy throws away his crutches and sets out, naively, to find Bess in New York. Musically, Simon Rattle and all the performers find the exact style for Gershwin's marvelous score--not only such big numbers as "Summertime," "Bess, You Is My Woman Now,"