Dreaming of the Prophet

FIRST EVER RELEASE OF THIS PATTI SMITH FM BROADCAST FROM A PIVOTAL MOMENT OF HER CAREER This engrossing live broadcast captures Patti Smith at a pivotal moment in her career. Her stunningly original debut, 'Horses', had been released just a few weeks earlier. Although the record has since become a landmark release, and widely cited as one of Rock music's greatest albums (not least by 'Rolling Stone', 'Time', 'New Musical Express', and a host of other respected journals), at the time Patti was still performing in small clubs such as New York City's 400-capacity Bottom Line, located at 15, West Fourth Street, and venue for this very gig. One of a string of seven sell-out performances Smith gave at this legendary Greenwich Village club in December 1975, they were intended as warm-ups for her first major tour of the USA, planned to begin in early 1976. Smith had sprung from the same vibrant NYC club scene that had recently nurtured proto-Punk acts like Television, The Heartbreakers, Blondie and The Ramones. In the early 70's Patti was primarily known as a freelance journalist working on music magazines like 'Rolling Stone', 'Creem' and 'Rock'. Concurrently she would write and perform her poems at small clubs and venues, but after publishing several volumes of poetry (including 'Seventh Heaven', 'Early Morning Dream' and 'Witt') to less than handsome sales, in order to reach a wider audience an injection of rock n roll musical muscle was deemed necessary. Her first recruit was guitarist Lenny Kaye; the duo played together for about a year, before adding Richard Sohl on piano. They recorded a single Hey Joe (version) / Piss Factory - one of the first independently released 45s - on the group s own Mer label in 1974. In 1975 the group expanded to include second guitarist Ivan Kral and drummer Jay Dee Daugherty. The Patti Smith Group was signed to Arista Records by label supremo Clive Davis, allegedly on a recommendation from Lou Reed. Another ex-Velvet, John Cale, was bought in to produce 'Horses' at New York's Electric Ladyland Studios. The sessions began in August 1975 and were completed the following month. Despite the record s release being just a few months prior to this gig, the set features an eclectic mixture of material, opening with some quite extraordinary poetry recitals. From 'Horses' versions of Redono Beach, Free Money, Birdland and a medley of Land