Dragon Age - Dawn of the Seeker -Blu-ray/DVD Combo-

Product Description The sun rises on a thrilling new era in Dragon Age: Dawn of the Seeker – the first feature-length, animated addition to the Dragon Age world. In the land of Orlais, a brash young Seeker – Cassandra – fights to stop a blood-soaked conspiracy. Hidden hands seek to tear apart the realm's most powerful religious order, and as the sinister plot unfolds, Cassandra is accused of treason and murder. Hunted by friend and foe alike, the impulsive beauty must clear her name while clashing with corrupt Templars and rogue Blood Mages. Should she fail, the executioner's blade awaits. Should she overcome her rage and expose the unseen forces threatening the rule of the Divine, Cassandra will take her place in legend. Bonus Content: Bioware Studio Tour Dawn of the Seeker Backstage Pass Dragon Age Production Art Previews Amazon.com The highly anticipated feature Dragon Age: Dawn of the Seeker (2012) is based on the popular role-playing video game, which has already been adapted to novels, web comics, and action figures. Tough-as-press-on-nails Cassandra wields a deadly sword as a member of the Seekers, an elite group of knights charged with defending the religious organization the Chantry and its leader, the Divine. She's forced into a reluctant alliance with the mage Galyan, when they discover a conspiracy to overthrow the Divine, hatched by a coven of evil sorcerers lead by Frenic (who looks suspiciously like Darth Maul). An utterly predictable series of betrayals, confrontations, sword fights, and nick-of-time rescues concludes with Cassandra being acclaimed as the savior of the realm--and the hint of a possible sequel. Dawn of the Seeker demonstrates the very different requirements of a successful game and a feature film. A player distracted by swinging a sword or firing blasts of magic in a duel to the death probably won't be bothered by limited animation or clunky dialogue. But a viewer watching a film is stuck with the ineffective facial expressions, awkward movements, and clichéd speeches ("Hate can only breed more hate"). The filmmakers concentrate on the motion-capture sword fights and stunts, which are better animated than the dialogue segments. But the look of the characters shifts disconcertingly between two and three dimensions mid-scene. Director Fumihiko Sori relies too heavily on elaborate camera moves and rapid cutting to pro