Beniamino Gigli - Ridi Pagliaccio

Product Description RIVETING! The best plot of any Gigli movie. The powerful plot concerns Canio after prison, and the composition and premiere of Pagliacci. Paul Hoerbiger movingly portrays the real-life Canio. In the opera's premiere, Gigli is the Canio. To express the drama, he colors his voice far more than any other Canio on film or record. In Ridi, pagliaccio Gigli's voice is more mature--and more appropriate for the part--than in his 1934 recording, on EMI. On the recording he is less secure rhythmically and colder and less detailed interpretively. It was made before he had stage experience with the role, whereas the film was produced a month after he sang a run of Canios at the Rome Opera. (A live version, from 1952, is exciting, but the CD transfer, on Eklipse, has pitch problems so severe that his voice is hard to recognize.) Gigli's mezza voce remained ravishing to the end of his career. In Ridi pagliaccio he purrs "Prendi: l'anel ti dono," from Sonnambula, with surpassing sweetness. The music in the film breathes beautifully, presumably thanks to the conducting of the legendary Luigi Ricci. This is a rare recorded example of his work. (He is remembered as a coach to Gigli, Olivero and others and was a composer in his own right.) For all these reasons I watch the film again and again.--Stefan Zucker From the Contributor Tully Potter, reviewing in International Opera Collector: "In the compelling Ridi pagliaccio from 1942, after hearing Gigli sing the Prologue over the titles, we see the real-life Canio come out of prison on parole after 20 years, to find his daughter adopted by a rich lady and about to marry a man of good family. He is befriended by Leoncavallo, who writes the opera based on his story; but it would spoil your enjoyment to reveal all the dramatic twists and turns. Gigli, in magnificent voice, sings not only some songs and scenes from Pagliacci, but also a lovely, melting interpretation of 'Prendi l'anel ti dono' from La sonnambula. Paul Hoerbiger plays the old man most affectingly. Familiar themes from the opera are woven into the soundtrack." About the Actor Greg Sandow, reviewing in The Wall Street Journal: What would we expect from 1936's "The Charm of La Bohème," in which two opera singers live out in real life the pathos of Puccini's opera? Or from 1942's "Ridi, Pagliaccio," in which the wrenching story of th