Across the Universe _Two_Disc Special Edition_

Product Description Across the Universe, from director Julie Taymor, is a revolutionary rock musical that re-imagines America in the turbulent late-1960s, a time when battle lines were being drawn at home and abroad. When young dockworker Jude (Jim Sturgess) leaves Liverpool to find his estranged father in America, he is swept up by the waves of change that are reshaping the nation. Jude falls in love with Lucy (Evan Rachel Wood), a rich but sheltered American girl who joins the growing anti-war movement in New York's Greenwich Village. As the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad. With a cameo by Bono, Across the Universe is "the kind of movie you watch again, like listening to a favorite album." (Roger Ebert, CHICAGO SUN-TIMES) Amazon.com Given a track record littered by misfired oddities like the Bee Gees starring in the 1978 movie version of Sgt. Pepper's Lonely Hearts Club Band, successfully transforming The Beatles' epochal oeuvre into film musicals has been an elusive alchemy. Yet director Julie Taymor's 1968-centered, socio-political romance is more than just a stunning visual achievement. Its soundtrack brings a crucially intimate, emotionally engaging sensibility to its rich catalog of Beatles source material. Using an approach she rightly dubbed "organic," Taymor never gets too ambitious with the original arrangements, balancing the plaintive, often stark performances of central young stars Jim Sturgess and Evan Rachel Wood with equally compelling turns by supporting players Carol Woods and Joe Anderson. The stars successfully evoke early Beatlemania via the energetic charms of Sturgess' "All My Loving" and Wood's "It Won't Be Long," then get straight to the canon's often melancholy heart on his take of "In My Life," and her gentle cover of "Blackbird." Taymor's use of star turns--the entire point of too many Beatles-rooted projects--is as sparing as it is deft. Eddie Izzard's effusive "Being for the Benefit of Mr. Kite" is the product of several edited improvisations, while U2's Bono and Edge re-imagine "Lucy in the Sky With Diamonds" by way of Pink Floyd. Joe Cocker's swamp-dirge "Come Together" shows why he's long been one of the best interpreters of the Lennon-McCartney catalog, and Dana Fuchs alternately evokes the heavenl